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Movie · 2016
Filmed in Los AngelesShot on real Los Angeles spots, especially Griffith Observatory and Angels Flight.
Where to watchFull story — spoilers ahead.
Mia is a barista on a studio lot who drives across Los Angeles for auditions that last thirty seconds. She has a one-bedroom, roommates who do not understand her, and a stack of headshots that keep coming back unmarked. Sebastian is a jazz pianist who wants a club of his own and currently plays Christmas songs in a restaurant that will fire him for going off book. They meet badly in traffic. They meet again in a club. Then they start writing a life together in a city that is famous for not letting anyone stay.
The first half is a courtship. They dance, they argue about jazz, they walk at night, they tell each other that wanting something badly is not the same as being foolish. Sebastian takes her to a planetarium and, for a few minutes, the city looks like it might make room. Mia starts to believe she is not just another girl with a monologue.
Then the careers move. A former classmate offers Sebastian a seat in a successful band that plays the kind of music he used to mock. The money is real. The crowds are real. The music is not the music he swore he would play. He tells himself he is building toward the club. Mia can hear the compromise even when he cannot.
Mia writes a one-woman show about her aunt, the woman who made her want this life. Almost nobody comes. After the humiliation she packs the car and goes home to her parents, ready to quit. A callback finds her anyway. A famous director saw something in the empty room. The audition is not a speech. It is a hummed melody and a story she has to invent on the spot. She gets the part. It is in Paris. It is the life she asked for.
They have a night in the apartment where they tell the truth. If she goes, they will not be the couple they were becoming. If she stays, she will resent him. They choose the work. They choose it kindly, which does not make it easier.
Years later Mia is the actress she wanted to be. She has a partner, a child, a life that fits. She and her husband walk into a club one night and the pianist is Sebastian. He has the room he always described. He sees her. He plays their song.
What follows is a fantasy of the life they did not choose: the audition that went differently, the marriage, the child that was theirs, the city that bent. Then the film cuts back to the life they did choose. They look at each other and they nod. Nobody is a villain. The city just did not have room for both dreams on the same calendar.
La La Land is a love story that refuses to punish ambition. It lets two people be right and still lose each other. The last look is not a reunion. It is a thank you, and a wound, and a grown-up ending.

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Los Angeles, United States
Mia and Sebastian dance at the observatory overlooking Los Angeles.

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Los Angeles, United States
The funicular appears in the film’s downtown musical geography.

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Pasadena, United States
Magic-hour driving sequences on the arched Pasadena bridge.

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Los Angeles, United States
Los Angeles montage: the towers in Watts.

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Los Angeles, United States
South Bay pier and jazz-town texture.

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South Pasadena, United States
Mia and Sebastian at the old movie house.

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Los Angeles, United States
Downtown market in the city numbers.
Official trailer